By Will Eisner

Via a quartet of 4 interwoven tales, A agreement With God show the enjoyment, exuberance, tragedy, and drama of lifestyles at the legendary Dropsie road within the Bronx. this is often the mythical publication that introduced a brand new paintings shape and reaffirmed Will Eisner as one of many nice pioneers of yank graphics.

Literary Awards
Harvey Awards for most sensible picture Album of unique fabric (1992)
Will Eisner comedian Awards for most sensible photo Album: New (1992)

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A Contract With God (The Contract With God, Book 1)

Via a quartet of 4 interwoven tales, a freelance With God convey the enjoyment, exuberance, tragedy, and drama of existence at the legendary Dropsie street within the Bronx. this is often the mythical ebook that introduced a brand new paintings shape and reaffirmed Will Eisner as one of many nice pioneers of yank graphics.

Literary Awards
Harvey Awards for most sensible photograph Album of unique fabric (1992)
Will Eisner comedian Awards for top image Album: New (1992)

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Fitz grinned down at her. ‘Hey, maybe that’s a good thing! No pollution, no exploitation of the working classes. . ’ His voice tailed off. Two men approached them, barring their way. This was it, thought Anji. Fitz squared up to them. ’ The two men said nothing. They glared at Anji, and then shoved past. Despite herself, Anji was shaking. ‘We’d better get to the inn,’ said Fitz. ’ But Anji didn’t want to show that the encounter had rattled her. ‘We’ve got an hour. ’ said Fitz. ‘In a place this size?

Both had black robes which seemed to merge into the gloom. The younger man had a hefty silver cross around his neck, which glinted in the murky yellow light. Priests? Morgan motioned for them all to sit. The wooden boards creaked alarmingly as they did so. Morgan sat in the large chair, as Fitz had expected, the two priests to his right, the Doctor, Fitz and Anji to his left with their backs to the railing. The Doctor sat nearest the Chief Elder, Fitz nearest the exit, as was his policy in situations where a quick leg-it might be needed.

Anji followed. She tried not to look down at the spikes in the ditch. As soon as they were through, the gates rumbled shut behind them and they suddenly found themselves in the middle of a jostling, shouting throng. Anji saw pale, drawn faces, ragged clothes of every shade of brown, weathered hands gripping daggers and cudgels. Grubby children ran about switching the air with thin sticks, shrieking, the sound seeming to pierce Anji’s eardrums. Everyone looked thin, malnourished, with bad teeth and sunken eyes.

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