By Anna Randol

"**Sometimes the simplest resolution is located in bed...**

Lady Sophia Harding: attractive, blond, and...capable of homicide? That's what Lord Camden gray intends to determine. it really is Camden's accountability to uphold the legislation of the land. His neighbor's faded good looks and winsome grace don't make her the main most probably suspect, yet is the blameless and altogether beguiling glance in her eyes the reality, or is she secretly a scheming seductress?

Lord Camden gray is fullyyt too distracting and too shrewdpermanent. Sophia is aware that to maintain her family's secrets and techniques, she needs to stay away from any entanglements with the robust and brutally good-looking guy. however the pull in their mutual wish is all-consuming. Can Sophia belief Camden with the reality whilst she understands it will possibly kill the affection that has grown among them?
"

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A Most Naked Solution

"**Sometimes the easiest resolution is located in mattress. .. **

Lady Sophia Harding: attractive, blond, and. .. able to homicide? That's what Lord Camden gray intends to determine. it's Camden's responsibility to uphold the legislation of the land. His neighbor's faded good looks and winsome grace don't make her the main most probably suspect, yet is the blameless and altogether beguiling glance in her eyes the reality, or is she secretly a scheming seductress?

Lord Camden gray is totally too distracting and too shrewdpermanent. Sophia is familiar with that to maintain her family's secrets and techniques, she needs to stay away from any entanglements with the robust and brutally good-looking guy. however the pull in their mutual hope is all-consuming. Can Sophia belief Camden with the reality while she is familiar with it may kill the affection that has grown among them?
"

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11 ‘Propaganda’ and ‘ideology’ are of course anachronistic terms, and it is important to clarify what is meant when using them in a twelfth-century context. If we take ‘propaganda’ to mean deliberate falsification for persuasive ends, it is a peculiarly inappropriate term to apply to Benoît, for Benoît is a writer who follows his source material with almost slavish precision, to the extent that it is possible to trace exactly when he switches from one Latin history to another. Whether he is always discriminating in his choice of source is another matter; but his habit of opting for the oldest source available suggests that he has a clear strategy and a clear vision of his task as a historian, and one that is entirely in keeping with that of his contemporaries.

The Bedford Inventories: the worldly goods of John, Duke of Bedford, Regent of France (1389-1435). London: Society of Antiquaries of London. -H. (1986). ’ Romania 107: 282-368. Varvaro, A. (1994). ‘Il libro I delle Chroniques di Jean Froissart. ’ Medioevo Romanzo 19: 3-36. Villela-Petit, Ines (2004). ’ Paris 1400, Les arts sous Charles VI. Paris: Arthème Fayard. 371-73. Acknowledgements The author, editors and publisher express their gratitude to the following institutions and their librarians for kind permission to reproduce photographs from manuscripts in their collections: Bibliothèque nationale de France Bibliothèque d’Étude et de Conservation, Besançon Pierpont Morgan Library, New York Stonyhurst College Library, Lancashire Bibliothèque d’Étude et du Patrimoine, Toulouse The British Library All photographs from the Bibliothèque nationale de France, the British Library, the Morgan Library and the Bibliothèque d’Étude et du Patrimoine, Toulouse are © of those institutions.

Toulouse, Bibl. du Patrimoine, MS 511, fol. 128r Fig. 14. Paris, BnF fr 2662, fol. 196v (detail) Representing Royalty in Some Manuscripts of Froissart’s Chroniques 33 Fig. 15. i, fol. 144r (detail) 34 Peter Ainsworth Fig. 16. i, fol. 341v (detail) Representing Royalty in Some Manuscripts of Froissart’s Chroniques 35 Fig. 17. ii, fol. 1r 36 Peter Ainsworth Fig. 18. ii, fol. 1r (detail) Representing Royalty in Some Manuscripts of Froissart’s Chroniques 37 Fig. 19. Composite image of ships in five MSS This page intentionally left blank PROPAGANDA AND ESSAMPLE IN BENOIT DE SAINTE-MAURE’S CHRONIQUE DES DUCS DE NORMANDIE Peter Damian-Grint Abstract The Chronique des ducs de Normandie of Benoît de Sainte-Maure is often seen as Angevin propaganda on behalf of the author’s patron, Henry II – particularly in Benoît’s presentation of the Norman dukes as exemplary figures.

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